404 NOT FOUND: New Language Inscribed in Absence explores the recurring gaps in recent Korean public records and the sense of physical and emotional isolation experienced in the Netherlands. Reading the technical error message “404 Not Found” as a metaphor for social absence, the exhibition examines how new forms of perception and language emerge from what has been erased or lost. Through diverse media and digital narratives, participating artists visualize missing traces, fragmented memories, and the instability of data, inviting viewers to reflect on how information and memory are continually reconstructed. The exhibition approaches absence not as a void but as a site of new relationships and interpretations.

This edition of Baton Relay pauses the familiar language of “self-care” and “career self-improvement,” inviting visitors to revisit those ideas through the slowest interface we share: books. At Hup, Oyirang brings together a selection of titles chosen by participating readers, creating a small, temporary shared library. Visitors are encouraged to leave one of their own books in the space and read a book left behind by someone else. By adding new notes and questions to existing review cards, each reader extends the previous reader’s thoughts. In this way, books shift from personal belongings to collective traces. During the project, the café offers three drinks and small snacks designed in response to the books and the atmosphere of the space. As people hold a glass and turn a page, Hup becomes a place where slow reading and different sensibilities meet. Temporary Shared Hub is not an event but a process. Even after the two-day program, the shelves and cards remain for a little while longer, holding the connections formed through books. Hup hopes this reading room becomes a small pause—a moment to recover one’s own rhythm and attention.

Water Council of Relationality (WCoR) is a collaborative studio that seeks to understand water not as a mere utility or resource, but as a living force embedded within broader environmental, social, cultural, and political ecologies.

It critically reflects on the historical role of traditional Dutch “water councils,” which have treated water as something to be controlled and managed, and instead responds to the reality that contemporary water issues are no longer local but global, interconnected, and increasingly complex.

From September to December 2024, fifty-five students from the Social Design MA program at Design Academy Eindhoven and the Institute of Applied Arts at National Yang Ming Chiao Tung University in Taiwan took part as a fictional council, exploring our relationship with water through multiple lenses—politics, infrastructure, memory, media, sexuality, and more-than-human worlds.

Development collaboration for designer Kim Taeryong’s exhibition Pyeonsan.

This website continuously remaps the center of a fictional mascot ecosystem, based on collected visual signifiers of contemporary cute mascots. Virtual species can repeatedly cluster and deconstruct according to their visual and taxonomic similarities—and their hybridity—driven by users’ engagement.

This project is about branding for a museum. We were invited by the museum, and we had a chance to design the museum's branding and exhibition. At that time, I was interested in their location, so the Busan Museum is located on the islands, and, migratory birds use this place as a path. This situation means that humans and birds share the same place, and it was our key point. I would like to talk about more detail; this island has two paths: one is the human behavior, and the other is a migratory bird path. I drew two paths on the paper, and you can see those lines are interrupted each other, but actually, they are separated in three dimensions. So, this project means humans must respect the natural area.